The Cult: A Triumphant Homecoming To Yorkshire

Formed in Bradford from the ashes of the Southern Death Cult, The Cult hold a significant place in musical history due to their pioneering use of post-punk, hard rock, and experimentalism, pushing boundaries and influencing countless bands across multiple genres.

With their musical prowess, uncompromising attitude, and captivating stage presence, they forged a distinct identity while charting new territory for bands to explore.

From Billy Duffy’s formative and influential years in the Manchester underground to Ian Astbury’s groundbreaking Gathering of the Tribes, the duo has left an indelible mark on modern music, shaping its trajectory in profound ways.

As the band arrived at York Barbican as part of their 8424 tour celebrating their fortieth anniversary, the energy and menace of The Cult remained intact. The band always had a certain edginess about them; Astbury is still prone to throwing his microphone stand to the side of the stage, just as he did when I first saw the band as Southern Death Cult at Leeds University back in the early eighties.

After a slow start, the mood shifted with a resounding rendition of Wild Flower from their 1997 Electric album, putting the band in a high gear as the audience responded accordingly. The track marked the bands transition to a heavier sound and greater success.

Ashbury's soulful vocals sent a shiver down the spine as the rain fell perfectly mid-set, allowing the fans to reflect on the almost spiritual track.

Love Removal Machine sent out a reminder that The Cult remain one of the best rock outfits to come out of the UK. Love Removal Machine and their iconic guitar riff concluded the celebrations as The Cult made a grand return to Yorkshire.