The stage version of Alan Parker’s 1976 hit film set in prohibition-era New York, in which two opposing gangs of mini-mobsters fight to the death with splurge guns and custard pies is pure theatrical magic.

Rather than having a full company of youngsters, there is a central core of twenty-one children who alternate in the seven central roles. They are ably supported by a versatile adult ensemble who wholeheartedly join in the fun and match their style to their junior principles.

All of the young cast are bursting with talent, confidence and charisma.

Gangsters’ moll, Tallulah (Jasmine Sakyiama) opens the show and sets the scene for the action to follow. She is poised and sassy, just as a gangster’s moll should be. Similarly, Mia Lakha as Blousey Brown, portrayed her character well as the somewhat resigned and quiet but ever aspiring showgirl.

Both female leads had fantastic vocals that would be the envy of many adults, but unfortunately at times their voices were over powered by the musical accompaniment.

Albie Snelson as Fat Sam is a mature performer beyond his years. The script gave him plenty of opportunities for humour and he made the most of the every single one, playing to the audience and occasionally band members alike with perfect comic timing.

Fat Sam’s rival Dandy Dan (Desmond Cole) as is attempting to ‘take over’ Fat Sam’s territory. The two are rivals. They portray hugely differing gangster styles to each other but well convey what you might expect to be adult gang rivalry of the period, the only difference here being the use of splurge guns and custard pies instead of bullets.

However, a special mention must go to Gabriel Payne in the title role. He is an exceptional talent which becomes more and more evident as he acts, sings and dances his way through the performance.

The choreography is excellent and is well executed by the entire cast. As anticipated, it delivers much humour and fun.

The most memorable numbers are generally led by the adult cast members but the young lead performers have their opportunity to shine with each of their individual showstoppers.

The set design by Jon Bauser is basically dark and gloomy but this is quickly transformed into Fat Sam’s speakeasy bar by the use of a brightly coloured bar insert, along with bar tables and bright neon lights which descend from the ceiling.

All of the scene changes are facilitated by the cast and are seamless.

Of special mention is the strobe-lit car-chase car chase involving Fat Sam, Bugsy and other gang members.

The costumes, again designed by Jon Bauser, are wonderful and reflect the era in which the show is set. The molls wearing twenties style dresses and the gangsters in what appear to be oversized suits and fedora hats.

Further glitz and glamour are provided by the troupe of dancing girls in beautifully bright and sequinned outfits.

Ultimately, Bugsy Malone is a fun packed, pacy and enjoyable show that, whatever your age, you will enjoy!