York Opera Macbeth

York Opera took on the highly ambitious Verdi’s Macbeth with great enthusiasm and commitment, under the directorship of John Soper and Elizabeth Gardner.

Verdi’s harmonic, melodic, and extremely dramatic score was played by a very well-rehearsed orchestra under the capable baton of Derek Chivers.

The music plays such a large part in this version of Macbeth, and they really did perform well, drawing the audience into all kinds of emotions, from celebration and victory to devilry and murder.

A special mention must go to the percussionist, Lucy Bell, who stood out throughout the performance. The cast was led by the most talented Ian Thomson-Smith as Macbeth and Sharon Nicholson-Skeggs as Lady Macbeth.

Their voices were strong and complimented each other well; their duets were often mesmerising, bringing both acting and singing together perfectly.

The other main parts were cast well, and the performers played their parts confidently—some really powerful performances.

They were supported by a large, enthusiastic chorus, taking on the roles of witches, servants, and soldiers, to name a few. The dancing was well choreographed, and the use of simple props added to the atmosphere. The witch’s scenes were suitably eerie and menacing, especially the opening forest scene, drawing the audience into the story immediately.

The dull lighting perfectly supported the murderous and melodramatic aspects of the story, and the simple set allowed the focus to be on the performers at all times. Opera is not for everyone, but if you are an opera lover, get yourself a ticket and go see this show.

Well done, York Opera.