Leeds-based Red Ladder Theatre Company and Hull’s Silent Uproar have joined forces to produce a powerful new play from an exciting and original voice in northern theatre.

Over many years I have interviewed countless jazzmen (and a few women), who have given me pleasure by the music they played and the gusto or sensitivity with which they played it. One stands out from the rest because he was completely different. In all I interviewed him five times, three at home and two after a gig. Amazingly, he never repeated himself, his fund of anecdotes endless.

Signum pairs two composers who rarely feel like strangers to one another, and this disc makes the case for their kinship well. Parry's De Profundis — a large-scale, twelve-part setting of Psalm 130 — dominates proceedings, its long arc from penitence to consolation still capable of catching a listener off guard more than a century on. God Is Our Hope and Strength offers a shorter but no less confident companion piece, while Elgar supplies the disc's more intimate corners: the partsong The Snow and the folk-inflected Scenes from the Bavarian Highlands, both far removed from the pomp he's better known for.

The Theakston Old Peculier Crime Writing Festival celebrated significant audience growth with record numbers of crime fiction fans from across the UK, Europe, the US and beyond flocking to the Old Swan Hotel, Harrogate to enjoy more than 34 events with 140 authors over four days, 23-26 July.

Moira Buffini's Olivier Award-winning Handbagged is a witty, intelligent and sharply-observed political comedy which imagines the private conversations between Queen Elizabeth II and Margaret Thatcher during the latter's eleven years as Prime Minister.

Few artists are as closely associated with the soundtrack of the 1980s as Tom Bailey. As the frontman of the Thompson Twins, he helped define an era with a string of timeless synth-pop classics, yet his relationship with that legacy has always been measured rather than nostalgic.